For Nelson Goodman, restoration is a form of actuation of the aesthetic experience, is a manifestation of so-called activating art. Gérard Genette too takes account of the practice of restoration into his ontology of the work of art as an unexampled regime of temporality and temporal transcendence. Restoration is related to the identity of the work itself and its material and pragmatic, mental and imaginary, existence, is envisaged as a vital anachronism, essential—as Daniel Arasse said—for art history too.
Restituzioni
FIMIANI, Filippo
2013-01-01
Abstract
For Nelson Goodman, restoration is a form of actuation of the aesthetic experience, is a manifestation of so-called activating art. Gérard Genette too takes account of the practice of restoration into his ontology of the work of art as an unexampled regime of temporality and temporal transcendence. Restoration is related to the identity of the work itself and its material and pragmatic, mental and imaginary, existence, is envisaged as a vital anachronism, essential—as Daniel Arasse said—for art history too.File in questo prodotto:
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