Lacan remarked that love is the movement among discourses. We might define poetry as a textually-embodied movement wherein the subject-poet reveals her- or himself both indirectly and transparently through language that exhibits its signifierness and jouissens: its materiality, its iconic presence, and its capacity to generate a shifting abundance of meaning-enjoyment. As readers, as behaviors; we yield to the summons of poetry and of visual artist, seduced by its sensuousness, its uncanniness, or virtuosity; by its promise of wholeness and plenitude; by the call to repair its ruptures; or by the desire to supplement it with our associations. The aim of the paper is to enhance the understanding of linguistic and pictorial form by closely engaging and discussing a series of classic and contemporary poems and paintings, namely from Ovidius Metamorphoses, with interest in how they generate meaning; how they picture, sound and narrate; and how they saturate the musical-visual-semantic field. Fimiani considers the dreamwork of poetry–metaphor, condensation, metonymy-displacement–, as the figural power of the matter for the subjectivity.Lacan remarked that love is the movement among discourses. We might define poetry as a textually-embodied movement wherein the subject-poet reveals her- or himself both indirectly and transparently through language that exhibits its signifierness and jouissens: its materiality, its iconic presence, and its capacity to generate a shifting abundance of meaning-enjoyment. As readers, as behaviors; we yield to the summons of poetry and of visual artist, seduced by its sensuousness, its uncanniness, or virtuosity; by its promise of wholeness and plenitude; by the call to repair its ruptures; or by the desire to supplement it with our associations. The aim of the paper is to enhance the understanding of linguistic and pictorial form by closely engaging and discussing a series of classic and contemporary poems and paintings, namely from Ovidius Metamorphoses, with interest in how they generate meaning; how they picture, sound and narrate; and how they saturate the musical-visual-semantic field. Fimiani considers the dreamwork of poetry–metaphor, condensation, metonymy-displacement–, as the figural power of the matter for the subjectivity.
Sogno di segni. Poetica ed etica della pittura
FIMIANI, Filippo
2003
Abstract
Lacan remarked that love is the movement among discourses. We might define poetry as a textually-embodied movement wherein the subject-poet reveals her- or himself both indirectly and transparently through language that exhibits its signifierness and jouissens: its materiality, its iconic presence, and its capacity to generate a shifting abundance of meaning-enjoyment. As readers, as behaviors; we yield to the summons of poetry and of visual artist, seduced by its sensuousness, its uncanniness, or virtuosity; by its promise of wholeness and plenitude; by the call to repair its ruptures; or by the desire to supplement it with our associations. The aim of the paper is to enhance the understanding of linguistic and pictorial form by closely engaging and discussing a series of classic and contemporary poems and paintings, namely from Ovidius Metamorphoses, with interest in how they generate meaning; how they picture, sound and narrate; and how they saturate the musical-visual-semantic field. Fimiani considers the dreamwork of poetry–metaphor, condensation, metonymy-displacement–, as the figural power of the matter for the subjectivity.Lacan remarked that love is the movement among discourses. We might define poetry as a textually-embodied movement wherein the subject-poet reveals her- or himself both indirectly and transparently through language that exhibits its signifierness and jouissens: its materiality, its iconic presence, and its capacity to generate a shifting abundance of meaning-enjoyment. As readers, as behaviors; we yield to the summons of poetry and of visual artist, seduced by its sensuousness, its uncanniness, or virtuosity; by its promise of wholeness and plenitude; by the call to repair its ruptures; or by the desire to supplement it with our associations. The aim of the paper is to enhance the understanding of linguistic and pictorial form by closely engaging and discussing a series of classic and contemporary poems and paintings, namely from Ovidius Metamorphoses, with interest in how they generate meaning; how they picture, sound and narrate; and how they saturate the musical-visual-semantic field. Fimiani considers the dreamwork of poetry–metaphor, condensation, metonymy-displacement–, as the figural power of the matter for the subjectivity.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
