Lacan remarked that love is the movement among discourses. We might define poetry as a textually-embodied movement wherein the subject-poet reveals her- or himself both indirectly and transparently through language that exhibits its signifierness and jouissens: its materiality, its iconic presence, and its capacity to generate a shifting abundance of meaning-enjoyment. As readers, as behaviors; we yield to the summons of poetry and of visual artist, seduced by its sensuousness, its uncanniness, or virtuosity; by its promise of wholeness and plenitude; by the call to repair its ruptures; or by the desire to supplement it with our associations. The aim of the paper is to enhance the understanding of linguistic and pictorial form by closely engaging and discussing a series of classic and contemporary poems and paintings, namely from Ovidius Metamorphoses, with interest in how they generate meaning; how they picture, sound and narrate; and how they saturate the musical-visual-semantic field. Fimiani considers the dreamwork of poetry–metaphor, condensation, metonymy-displacement–, as the figural power of the matter for the subjectivity.Lacan remarked that love is the movement among discourses. We might define poetry as a textually-embodied movement wherein the subject-poet reveals her- or himself both indirectly and transparently through language that exhibits its signifierness and jouissens: its materiality, its iconic presence, and its capacity to generate a shifting abundance of meaning-enjoyment. As readers, as behaviors; we yield to the summons of poetry and of visual artist, seduced by its sensuousness, its uncanniness, or virtuosity; by its promise of wholeness and plenitude; by the call to repair its ruptures; or by the desire to supplement it with our associations. The aim of the paper is to enhance the understanding of linguistic and pictorial form by closely engaging and discussing a series of classic and contemporary poems and paintings, namely from Ovidius Metamorphoses, with interest in how they generate meaning; how they picture, sound and narrate; and how they saturate the musical-visual-semantic field. Fimiani considers the dreamwork of poetry–metaphor, condensation, metonymy-displacement–, as the figural power of the matter for the subjectivity.
Sogno di segni. Poetica ed etica della pittura
FIMIANI, Filippo
2003-01-01
Abstract
Lacan remarked that love is the movement among discourses. We might define poetry as a textually-embodied movement wherein the subject-poet reveals her- or himself both indirectly and transparently through language that exhibits its signifierness and jouissens: its materiality, its iconic presence, and its capacity to generate a shifting abundance of meaning-enjoyment. As readers, as behaviors; we yield to the summons of poetry and of visual artist, seduced by its sensuousness, its uncanniness, or virtuosity; by its promise of wholeness and plenitude; by the call to repair its ruptures; or by the desire to supplement it with our associations. The aim of the paper is to enhance the understanding of linguistic and pictorial form by closely engaging and discussing a series of classic and contemporary poems and paintings, namely from Ovidius Metamorphoses, with interest in how they generate meaning; how they picture, sound and narrate; and how they saturate the musical-visual-semantic field. Fimiani considers the dreamwork of poetry–metaphor, condensation, metonymy-displacement–, as the figural power of the matter for the subjectivity.Lacan remarked that love is the movement among discourses. We might define poetry as a textually-embodied movement wherein the subject-poet reveals her- or himself both indirectly and transparently through language that exhibits its signifierness and jouissens: its materiality, its iconic presence, and its capacity to generate a shifting abundance of meaning-enjoyment. As readers, as behaviors; we yield to the summons of poetry and of visual artist, seduced by its sensuousness, its uncanniness, or virtuosity; by its promise of wholeness and plenitude; by the call to repair its ruptures; or by the desire to supplement it with our associations. The aim of the paper is to enhance the understanding of linguistic and pictorial form by closely engaging and discussing a series of classic and contemporary poems and paintings, namely from Ovidius Metamorphoses, with interest in how they generate meaning; how they picture, sound and narrate; and how they saturate the musical-visual-semantic field. Fimiani considers the dreamwork of poetry–metaphor, condensation, metonymy-displacement–, as the figural power of the matter for the subjectivity.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
