Part III of our book was dedicated to the Dialogical Self Theory—and through this break we move on to the infinities in aesthetics (Part IV). Notably the chapters here cover the thinking of the recent years (2014-2016) with the notable exception of the effort to make sense of surrealist paintings (dated to 1997). So the roots for trying to make sense of the human psyche through the highest creativity of our human being—those designated as art. Yet through the focus on art comes another fascination—that with the erotic suggestions of the human body, its curious self-titillations (e.g. flagellation), and its projections into the human-built world of architecture.
Marsico G., Valsiner J. (2018). Dialogical Semiosis in Irreversible Time—Why make it so complex? In G. Marsico & J. Valsiner, J. (2018). Beyond the Mind: Cultural Dynamics of the Psyche. (pp. 163-167), Charlotte, N.C. USA: Information Age Publishing;
MARSICO, Giuseppina
Writing – Original Draft Preparation
2018-01-01
Abstract
Part III of our book was dedicated to the Dialogical Self Theory—and through this break we move on to the infinities in aesthetics (Part IV). Notably the chapters here cover the thinking of the recent years (2014-2016) with the notable exception of the effort to make sense of surrealist paintings (dated to 1997). So the roots for trying to make sense of the human psyche through the highest creativity of our human being—those designated as art. Yet through the focus on art comes another fascination—that with the erotic suggestions of the human body, its curious self-titillations (e.g. flagellation), and its projections into the human-built world of architecture.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
