In 1934, the young generation of British artists and intellectuals was determined to replace Roger Fry's and Clive Bell's formalism and favored a new season of the artistic avant-garde, critical of the interests of Bloomsbury Group. So, Bell published a new book to offer a new approach to the experience of art thanks to a new critical method.
Why Do They Go to the Pictures? Clive Bell and the New “Home” Audience
TROTTA, Antonella
2017
Abstract
In 1934, the young generation of British artists and intellectuals was determined to replace Roger Fry's and Clive Bell's formalism and favored a new season of the artistic avant-garde, critical of the interests of Bloomsbury Group. So, Bell published a new book to offer a new approach to the experience of art thanks to a new critical method.File in questo prodotto:
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