Today, aesthetic experiences are assemblages and networks, negotiating with micro-practices of production and use, circulation and consumption, vision and sharing, familiar to our ways of "doing" as hyper-mediated prosumers on mobile devices. The pregnant world of aesthetic life and ordinary experience is innervated by the historical digital Kulturtechnik. The medium of each image experience is technologized in situ and in visu, embodied in presence and displayed on screen, it is a mediating habitat, also mediated by the factual and indirect agency of the iconic models which, re-mediated and pre-mediated, shape the pre-understandings of our gaze collective on the world, on the natural environment and urban landscape. Today, art thematizes historical, ontological, perceptual and discursive continuities and interruptions between real landscape, landscape as genre pictorial, and digitized landscape.

Entre les lignes et les liens. Lisibilité et visibilité de la périphérie contemporaine

Filippo Fimiani
Writing – Original Draft Preparation
2023-01-01

Abstract

Today, aesthetic experiences are assemblages and networks, negotiating with micro-practices of production and use, circulation and consumption, vision and sharing, familiar to our ways of "doing" as hyper-mediated prosumers on mobile devices. The pregnant world of aesthetic life and ordinary experience is innervated by the historical digital Kulturtechnik. The medium of each image experience is technologized in situ and in visu, embodied in presence and displayed on screen, it is a mediating habitat, also mediated by the factual and indirect agency of the iconic models which, re-mediated and pre-mediated, shape the pre-understandings of our gaze collective on the world, on the natural environment and urban landscape. Today, art thematizes historical, ontological, perceptual and discursive continuities and interruptions between real landscape, landscape as genre pictorial, and digitized landscape.
2023
978-2-7535-9211-7
Aujourd'hui, les expériences esthétiques sont des assemblages et des réseaux, négociant avec des micro-pratiques de production et d'utilisation, de circulation et de consommation, de vision et de partage, familières à nos manières de "faire" en tant que prosommateurs hyper-médiatisés sur des appareils mobiles. Le monde du sens de la vie esthétique et de l'expérience ordinaire est innervé par la Kulturtechnik numérique et son historie. Le medium de chaque expérience d'image est technologisé in situ et in visu et, incarné dans la présence et affiché sur l'écran, c'est un habitat médiateur, également médiatisé par l'Agency factuelle et indirecte des modèles iconiques qui, re-médiatisés et pré-médiatisés, façonnent les pré-compréhensions de notre regard collectif sur le monde, sur l'environnement naturel et le paysage urbain. Aujourd'hui, l'art thématise les continuités et les interruptions historiques, ontologiques, perceptuelles et discursives entre le paysage réel, le paysage en tant que genre pictural et le paysage numérisé.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11386/4850612
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