The evolution of technology has shaped architectural paradigms throughout history, in this context, the convergence between tradition and innovation is configured as a central axis in the development of new architectural proposals. This article explores through a comparative analysis of three key projects of Le Corbusier’s late work, such as Le Cabanon, Chandigargh, Saint-Pierre de Firminy, which highlights the change in the architect’s approach from functionalist rigidity to projects that integrate symbolism, spirituality and materiality. In parallel, a similar analysis was made of contemporary case studies such as the Traditional House of the Future, Nadarra and TECLA that illustrate the creative process through which digital technologies, in particular 3D printing, are moving. While these innovations offer unprecedented opportunities, they also raise ethical and cultural questions about the role of technology in shaping human environments. This study, through its critical nature, invites us to rethink architectural practice in the digital age by merging the legacy of the past with the innovations of the present to configure human environments that respond to today’s ethical and cultural challenges.
Technique in the Era of Digital Architecture: A Critical Perspective on the Transition from Le Corbusier’s Work to 3D Printing
Andrés Ludueña
;Giacomo Di Ruocco
2025
Abstract
The evolution of technology has shaped architectural paradigms throughout history, in this context, the convergence between tradition and innovation is configured as a central axis in the development of new architectural proposals. This article explores through a comparative analysis of three key projects of Le Corbusier’s late work, such as Le Cabanon, Chandigargh, Saint-Pierre de Firminy, which highlights the change in the architect’s approach from functionalist rigidity to projects that integrate symbolism, spirituality and materiality. In parallel, a similar analysis was made of contemporary case studies such as the Traditional House of the Future, Nadarra and TECLA that illustrate the creative process through which digital technologies, in particular 3D printing, are moving. While these innovations offer unprecedented opportunities, they also raise ethical and cultural questions about the role of technology in shaping human environments. This study, through its critical nature, invites us to rethink architectural practice in the digital age by merging the legacy of the past with the innovations of the present to configure human environments that respond to today’s ethical and cultural challenges.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


