This article examines the role played by social media in the perception, transmission, and teaching of literature within a context dominated by the smartphone. It begins with a recent debate on the use of electronic devices in the classroom to show that technology now constitutes an unavoidable living environment for students. In response to the proliferation of pseudo‑literary content and the ineffectiveness of transferring academic discourse directly to platforms such as Instagram or TikTok, the need to understand their internal logics and to intervene with philological rigor, creativity, and a sense of humor is defended. Drawing on the experience of the Literaturas en español project, it is argued that social media can function as cultural mediators capable of sparking curiosity, fostering reading sensitivity, and activating critical thinking, provided that their communicative specificities are acknowledged and traditional models of dissemination are not simply replicated. Ultimately, the article proposes a reflection on how to inhabit these spaces without naïveté or condescension, and on the role philology may assume within a digital ecosystem that, whether welcomed or not, already forms part of our cultural reality.

«Quien lo colgó lo sabe»: algunas reflexiones sobre literatura y redes sociales

daniele crivellari
2025

Abstract

This article examines the role played by social media in the perception, transmission, and teaching of literature within a context dominated by the smartphone. It begins with a recent debate on the use of electronic devices in the classroom to show that technology now constitutes an unavoidable living environment for students. In response to the proliferation of pseudo‑literary content and the ineffectiveness of transferring academic discourse directly to platforms such as Instagram or TikTok, the need to understand their internal logics and to intervene with philological rigor, creativity, and a sense of humor is defended. Drawing on the experience of the Literaturas en español project, it is argued that social media can function as cultural mediators capable of sparking curiosity, fostering reading sensitivity, and activating critical thinking, provided that their communicative specificities are acknowledged and traditional models of dissemination are not simply replicated. Ultimately, the article proposes a reflection on how to inhabit these spaces without naïveté or condescension, and on the role philology may assume within a digital ecosystem that, whether welcomed or not, already forms part of our cultural reality.
2025
9788410122352
En este artículo se examina el papel que desempeñan las redes sociales en la percepción, transmisión y enseñanza de la literatura en un contexto dominado por el smartphone. Se parte de un debate reciente sobre el uso de dispositivos electrónicos en el aula para mostrar que la tecnología constituye hoy un entorno vital ineludible para el alumnado. Frente a la proliferación de contenidos seudoliterarios y a la ineficacia de trasladar sin mediación el discurso académico a plataformas como Instagram o TikTok, se defiende la necesidad de comprender sus lógicas internas y de intervenir en ellas con rigor filológico, creatividad y sentido del humor. A partir de la experiencia del proyecto Literaturas en español, se argumenta que las redes sociales pueden funcionar como mediadoras culturales capaces de despertar curiosidad, fomentar sensibilidad lectora y activar el pensamiento crítico, siempre que se asuma su especificidad comunicativa y se renuncie a replicar en ellas los modelos tradicionales de divulgación. En suma, se propone una reflexión sobre cómo habitar estos espacios sin ingenuidad ni condescendencia, y sobre el papel que la filología puede desempeñar en un ecosistema digital que, nos guste o no, ya forma parte de nuestra realidad cultural.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11386/4931835
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