For Nelson Goodman, restoration is a form of actuation of the aesthetic experience, is a manifestation of so-called activating art. Gérard Genette too takes account of the practice of restoration into his ontology of the work of art as an unexampled regime of temporality and temporal transcendence. Restoration is related to the identity of the work itself and its material and pragmatic, mental and imaginary, existence, is envisaged as a vital anachronism, essential—as Daniel Arasse said—for art history too.

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FIMIANI, Filippo
2013

Abstract

For Nelson Goodman, restoration is a form of actuation of the aesthetic experience, is a manifestation of so-called activating art. Gérard Genette too takes account of the practice of restoration into his ontology of the work of art as an unexampled regime of temporality and temporal transcendence. Restoration is related to the identity of the work itself and its material and pragmatic, mental and imaginary, existence, is envisaged as a vital anachronism, essential—as Daniel Arasse said—for art history too.
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Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/11386/4263654
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