In the second recension of his scholia on Aristophanes and in the first recension (τ) of his scholia on Aeschylus Demetrius Triclinius uses the adjectives προῳδικός / ἐπῳδικός / μεσῳδικός to characterize lyric sections sung before / after a section κατὰ στίχον or, in the case of μεσῳδικός, in the middle of two such sections. This use probably depends on the old scholia on Aristophanes, but also on a misinterpretation of Hephaestion. In the final recension of Triclinius’scholia on the tragedians the use of προῳδικός / ἐπῳδικός / μεσῳδικός depends on a more in-depth knowledge of Hephaestion. As a consequence, it is possible that the final scholia on the tragedians are later than those on Aristophanes.
Sul valore di προῳδικός / ἐπῳδικός / μεσῳδικός in Demetrio Triclinio
PACE, GIOVANNA
2014
Abstract
In the second recension of his scholia on Aristophanes and in the first recension (τ) of his scholia on Aeschylus Demetrius Triclinius uses the adjectives προῳδικός / ἐπῳδικός / μεσῳδικός to characterize lyric sections sung before / after a section κατὰ στίχον or, in the case of μεσῳδικός, in the middle of two such sections. This use probably depends on the old scholia on Aristophanes, but also on a misinterpretation of Hephaestion. In the final recension of Triclinius’scholia on the tragedians the use of προῳδικός / ἐπῳδικός / μεσῳδικός depends on a more in-depth knowledge of Hephaestion. As a consequence, it is possible that the final scholia on the tragedians are later than those on Aristophanes.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.