Thanks to the discovery of previously unknown documents, the writer of the pre- sent study was able to reconstruct the chronology of the paintings commissioned to Giovanni Bonati, Giovanni Maria Morandi and Gilles Hallet by the ‘provisori’ of the church of Santa Maria dell’Anima in Rome for its Sacristy. The documents also recall the participation of Carlo Maratta, who began painting the Nativity of the Virgin in 1682 and who, in the same year, restored the Pala Fugger of Giulio Romano.

Carlo Maratta e la Chiesa di Santa Maria dell'Anima: il restauro della pala di Giulio Romano e la nascita della Vergine per la Sacrestia

LORIZZO, Loredana
2013

Abstract

Thanks to the discovery of previously unknown documents, the writer of the pre- sent study was able to reconstruct the chronology of the paintings commissioned to Giovanni Bonati, Giovanni Maria Morandi and Gilles Hallet by the ‘provisori’ of the church of Santa Maria dell’Anima in Rome for its Sacristy. The documents also recall the participation of Carlo Maratta, who began painting the Nativity of the Virgin in 1682 and who, in the same year, restored the Pala Fugger of Giulio Romano.
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/11386/4390253
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact