Through the review of the unpublished correspondence with Adolfo Venturi and the discovery of a series of of contemporary photographs, this essay sheds light on the strategies and cautious literary maneouvres that aimed to consolidated Michele Lazzaroni's status on the global art market. By disseminating works of art presented as authentic, whether presumed so or counterfeit, the baron managed to position them on the market by endowing them with the aura of potential Renaissance masterpieces.

Un falso Rinascimento? Il barone Michele Lazzaroni e la scultura

LORIZZO, Loredana
2014

Abstract

Through the review of the unpublished correspondence with Adolfo Venturi and the discovery of a series of of contemporary photographs, this essay sheds light on the strategies and cautious literary maneouvres that aimed to consolidated Michele Lazzaroni's status on the global art market. By disseminating works of art presented as authentic, whether presumed so or counterfeit, the baron managed to position them on the market by endowing them with the aura of potential Renaissance masterpieces.
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Utilizza questo identificativo per citare o creare un link a questo documento: http://hdl.handle.net/11386/4642936
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