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EnglishFrom a conference of Teresa de la Parra in 1930, some women writers have 'discovered' Manuela Sáenz and transformed into the protagonist of historical novels characterized by alternative perspectives to official historiography linking feminist discourse to other discourses of rights protest of groups 'weak': blacks, Indians, etc.. We analyze the novels of five women writers: the Ecuadorians Luz Argentina Chiriboga (Jonatás y Manuela) and Edna Iturralde (Simón era su nombre), the Mexican Maria Eugenia Leefmans (La dama de los perros), the Argentinas Alicia Dujovne Ortiz (Anita cubierta de nieve) and Silvia Miguens (La gloria eres tú. Manuela Sáenz rigurosamente confidencial).
| Titolo: | Manuela Sáenz antes y después de Bolívar. | |
| Autori: | ||
| Data di pubblicazione: | 2015 | |
| Rivista: | ||
| Abstract: | From a conference of Teresa de la Parra in 1930, some women writers have 'discovered' Manuela Sáenz and transformed into the protagonist of historical novels characterized by alternative perspectives to official historiography linking feminist discourse to other discourses of rights protest of groups 'weak': blacks, Indians, etc.. We analyze the novels of five women writers: the Ecuadorians Luz Argentina Chiriboga (Jonatás y Manuela) and Edna Iturralde (Simón era su nombre), the Mexican Maria Eugenia Leefmans (La dama de los perros), the Argentinas Alicia Dujovne Ortiz (Anita cubierta de nieve) and Silvia Miguens (La gloria eres tú. Manuela Sáenz rigurosamente confidencial). | |
| Handle: | http://hdl.handle.net/11386/4650389 | |
| Appare nelle tipologie: | 1.1.2 Articolo su rivista con ISSN |
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