The paper aims to explain the Derrida's deconstruction of the traditional opposition between voice and writing throughout a reading of the commonplace according to which deconstruction would be a recovering of writing against the voice. In particular, it tries to show that Derrida's deconstruction aims to make free a third concept ― “arche-writing” ― able to account for the constitution of the opposition and requiring a different configuration of the conceptual field occupied by it.
Flatus Vocis. Voce e scrittura tra Jacques Derrida e Giorgio Agamben.
VITALE, Francesco
2017-01-01
Abstract
The paper aims to explain the Derrida's deconstruction of the traditional opposition between voice and writing throughout a reading of the commonplace according to which deconstruction would be a recovering of writing against the voice. In particular, it tries to show that Derrida's deconstruction aims to make free a third concept ― “arche-writing” ― able to account for the constitution of the opposition and requiring a different configuration of the conceptual field occupied by it.File in questo prodotto:
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