The aim of this article is to offer a contribution to the understanding of what occurs when ‘culture’ and ‘Europe’ meet in a local context. Specifically, the subject of study is the Festival of Europe (Festival d’Europa), a biennial event dedicated to European themes held in the city of Florence (Italy). The article analyzes the origins of the Festival, the idea of culture embraced by its organizers, and cultural performances staged by local actors during the 2015 edition, combining top-down and bottom-up perspectives. The article provides evidence-based reflections on how European-centered cultural repertoires are developed and experienced using qualitative methods of data collection and analysis.

Strategies for a cultural Europe. Framing and representing the Europe-culture nexus in a local context.

Verderame, Dario
2017-01-01

Abstract

The aim of this article is to offer a contribution to the understanding of what occurs when ‘culture’ and ‘Europe’ meet in a local context. Specifically, the subject of study is the Festival of Europe (Festival d’Europa), a biennial event dedicated to European themes held in the city of Florence (Italy). The article analyzes the origins of the Festival, the idea of culture embraced by its organizers, and cultural performances staged by local actors during the 2015 edition, combining top-down and bottom-up perspectives. The article provides evidence-based reflections on how European-centered cultural repertoires are developed and experienced using qualitative methods of data collection and analysis.
2017
Cet article contribue à la compréhension de ce qui se passe lorsque « culture » et « Europe » se rencontrent dans un contexte local. L’objet d’étude est le Festival de l’Europe (Festival d’Europa), un événement biennal dédié aux thèmes Européens organisé dans la ville de Florence (Italie). L’article présente l’origine du Festival, l’idée de culture adoptée par ses organisateurs et par les performances culturelles organisées par les acteurs locaux lors de l’édition 2015 du Festival, considérant ainsi les perspectives top-down et bottom-up. En utilisant des méthodes qualitatives, l’article analyse comment des répertoires culturels, centrés sur l’Europe, sont pensés et vécus.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11386/4707404
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