From 1950 to 1972 the most important period of the race towards space is realized; in the same period the Visual Arts in Italy work on the spatial imagery, sometimes also by bright anticipations, and they implement an equally radical transformation of their operative language. The article intends to investigate the common condition between Visual Arts and spatial research, identifying three steps that characterize three different phases: a phase of the object, a phase of the space-environment, a phase of the image.

Oggetto, spazio, immagine: micro-avventure spaziali dell’arte italiana (1950-1972)

massimo maiorino
2020-01-01

Abstract

From 1950 to 1972 the most important period of the race towards space is realized; in the same period the Visual Arts in Italy work on the spatial imagery, sometimes also by bright anticipations, and they implement an equally radical transformation of their operative language. The article intends to investigate the common condition between Visual Arts and spatial research, identifying three steps that characterize three different phases: a phase of the object, a phase of the space-environment, a phase of the image.
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11386/4757556
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact