The paper examines the presence of the so-called ‘Euripidean’ asynartete 2ia 2 trΛΛ in the lyrics of Euripides’ preserved tragedies (Hippolytus, Suppliant Women, Trojan Women, Phoenissae) with the aim to observe its function in each context and to establish if the two cola can actually form a single verse. The sequence 2ia 2 trΛΛ occurs as a (sometimes internal) clausula in iambo-trochaic contexts, where it emphasizes the rhythmical opposition, or in a mainly iambic context, where it produces a contrast effect. When there is synapheia between the two cola, they likely form an asynartete verse, whereas when there is dieresis, the asynartete nature of the sequence is doubtful, but can be supported by metrical-rhythmical and thematic considerations
L'asinarteto 'euripideo' in Euripide
	
	
	
		
		
		
		
		
	
	
	
	
	
	
	
	
		
		
		
		
		
			
			
			
		
		
		
		
			
			
				
				
					
					
					
					
						
							
						
						
					
				
				
				
				
				
				
				
				
				
				
				
			
			
		
		
		
		
	
Giovanna Pace
			2021
Abstract
The paper examines the presence of the so-called ‘Euripidean’ asynartete 2ia 2 trΛΛ in the lyrics of Euripides’ preserved tragedies (Hippolytus, Suppliant Women, Trojan Women, Phoenissae) with the aim to observe its function in each context and to establish if the two cola can actually form a single verse. The sequence 2ia 2 trΛΛ occurs as a (sometimes internal) clausula in iambo-trochaic contexts, where it emphasizes the rhythmical opposition, or in a mainly iambic context, where it produces a contrast effect. When there is synapheia between the two cola, they likely form an asynartete verse, whereas when there is dieresis, the asynartete nature of the sequence is doubtful, but can be supported by metrical-rhythmical and thematic considerationsI documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


