The first four paintings mentioned in the inventory of the collection of the viceroy Duke of Medina de las Torres, drawn up in Naples in 1641 and published by Fernando Bouza in 2009, can be certainly referred to Raphael or to the close circle of his pupils. The essay retraces the events that affected these paintings already present in the capital of the viceroyalty, suggesting, in the case of the Madonna del Passeggio, an identification that has never been explicitly considered before now.
Raffaello e Napoli
	
	
	
		
		
		
		
		
	
	
	
	
	
	
	
	
		
		
		
		
		
			
			
			
		
		
		
		
			
			
				
				
					
					
					
					
						
							
						
						
					
				
				
				
				
				
				
				
				
				
				
				
			
			
		
		
		
		
	
Donato Salvatore
			2023
Abstract
The first four paintings mentioned in the inventory of the collection of the viceroy Duke of Medina de las Torres, drawn up in Naples in 1641 and published by Fernando Bouza in 2009, can be certainly referred to Raphael or to the close circle of his pupils. The essay retraces the events that affected these paintings already present in the capital of the viceroyalty, suggesting, in the case of the Madonna del Passeggio, an identification that has never been explicitly considered before now.File in questo prodotto:
	
	
	
    
	
	
	
	
	
	
	
	
		
			
				
			
		
		
	
	
	
	
		
			Non ci sono file associati a questo prodotto.
		
		
	
I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.


