The first four paintings mentioned in the inventory of the collection of the viceroy Duke of Medina de las Torres, drawn up in Naples in 1641 and published by Fernando Bouza in 2009, can be certainly referred to Raphael or to the close circle of his pupils. The essay retraces the events that affected these paintings already present in the capital of the viceroyalty, suggesting, in the case of the Madonna del Passeggio, an identification that has never been explicitly considered before now.
Raffaello e Napoli
Donato Salvatore
2023-01-01
Abstract
The first four paintings mentioned in the inventory of the collection of the viceroy Duke of Medina de las Torres, drawn up in Naples in 1641 and published by Fernando Bouza in 2009, can be certainly referred to Raphael or to the close circle of his pupils. The essay retraces the events that affected these paintings already present in the capital of the viceroyalty, suggesting, in the case of the Madonna del Passeggio, an identification that has never been explicitly considered before now.File in questo prodotto:
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