The following work starts from Freudian reflections on the dream and aims to analyse the articulation of what will be referred to as a syntomal writing of the image This analysis will outline a sort of oneiric and artistic itinerary that passes through three works: the surrealist film Un Chien Andalou, the novel Histoire de l’œiland the engraving Crime et expiation.The first part will analyze the practices of deformation and condensation of oneiric images that find a manifestation in the imagery of the film Un Chien Andalou. In the second instance, we will focus on explicating the concept of the dream as a form of writing; this reflection will pass through the analysis of certain passages of the novel Histoire de l’œil. In conclusion, we will focus on the relationship of the dream image with the symptom through the reflections of the scholar Georges Didì-Huberman and the imagery of the artist Grandville.
Il sogno: la scrittura sintomale dell'immagine.
Annalaura Ferrara
2024-01-01
Abstract
The following work starts from Freudian reflections on the dream and aims to analyse the articulation of what will be referred to as a syntomal writing of the image This analysis will outline a sort of oneiric and artistic itinerary that passes through three works: the surrealist film Un Chien Andalou, the novel Histoire de l’œiland the engraving Crime et expiation.The first part will analyze the practices of deformation and condensation of oneiric images that find a manifestation in the imagery of the film Un Chien Andalou. In the second instance, we will focus on explicating the concept of the dream as a form of writing; this reflection will pass through the analysis of certain passages of the novel Histoire de l’œil. In conclusion, we will focus on the relationship of the dream image with the symptom through the reflections of the scholar Georges Didì-Huberman and the imagery of the artist Grandville.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
