In Les mots et les choses Foucault claims the character of Don Quixote to be the epistemic boundary between Renaissance and Age classique. . In these same terms, we aim to describe the evolution of the epic genre into the novel form, bringing the Foucauldian interpretation closer to that provided by Lukacs' Die Theorie des Romans, , where Don Quixote is presented as the first modern novel. We will therefore refer to the 17th th century as a moment of epistemic as much as social transition, to identify both in the emergence of the novel form, and in the madness of Don Quixote, the symptom of the crisis of the symbolic, social and political system that had justified the epic genre. This understanding will be applied to the analysis of the fragments of Don Quixote dedicated to the episode of the Master Pedro puppet show (II, cap. XXV-XXVI).
Il “Don Chisciotte” di Michel Foucault, il limite fra l’epica e il romanzo
Sirchia, Gaia
2023
Abstract
In Les mots et les choses Foucault claims the character of Don Quixote to be the epistemic boundary between Renaissance and Age classique. . In these same terms, we aim to describe the evolution of the epic genre into the novel form, bringing the Foucauldian interpretation closer to that provided by Lukacs' Die Theorie des Romans, , where Don Quixote is presented as the first modern novel. We will therefore refer to the 17th th century as a moment of epistemic as much as social transition, to identify both in the emergence of the novel form, and in the madness of Don Quixote, the symptom of the crisis of the symbolic, social and political system that had justified the epic genre. This understanding will be applied to the analysis of the fragments of Don Quixote dedicated to the episode of the Master Pedro puppet show (II, cap. XXV-XXVI).I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
