The aim of this paper is to highlight the connections between the variables and problematic objects involved in the media narrative of health risks, since narratives are also the means by which both the individual and the community are moved to action. With this in mind, the following questions will be addressed: What happens to the narrative of a social problem such as a pandemic? What happened to the COVID-19 pandemic narrative in Italy? The attempt to answer these questions will be presented through the analysis of the narratives produced by the Italian daily press in the initial phase of the pandemic and the narratives of the social platform Twitter (now X), which will show how the dominant interpretative framing was articulated between the construction of an «invisible enemy» and a «health dictatorship».

Narratives of the COVID-19 Pandemic in Italy from the «Invisible Enemy» to the «Health Dictatorship»

Emiliana, Mangone
2025

Abstract

The aim of this paper is to highlight the connections between the variables and problematic objects involved in the media narrative of health risks, since narratives are also the means by which both the individual and the community are moved to action. With this in mind, the following questions will be addressed: What happens to the narrative of a social problem such as a pandemic? What happened to the COVID-19 pandemic narrative in Italy? The attempt to answer these questions will be presented through the analysis of the narratives produced by the Italian daily press in the initial phase of the pandemic and the narratives of the social platform Twitter (now X), which will show how the dominant interpretative framing was articulated between the construction of an «invisible enemy» and a «health dictatorship».
2025
El propósito de este artículo es explicitar las conexiones entre las variables y los objetos problemáticos implicados en la narrativa mediática del riesgo para la salud, ya que las narrativas son también el medio de empujar tanto al individuo como a la comunidad a la acción. Teniendo en cuenta esta afirmación, las preguntas a las que se intentará dar respuesta son: ¿Qué ocurre con la narrativa de un problema social como una pandemia? ¿Y qué ocurrió con la narrativa de la pandemia COVID-19 en Italia? El intento se presentará a través del análisis de la narrativa producida por la prensa diaria italiana en la fase inicial de la pandemia y la narrativa de la plataforma social Twitter (ahora X), que mostrará cómo el encuadre interpretativo predominante se articuló entre la construcción de un «enemigo invisible» y la «dictadura sanitaria».
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11386/4943036
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