The aim of this research paper is to examine how digital technology revitalizes the heritage of Samuel Beckett’s dramaturgical works, focusing in particular on the spatio-visual aspects of the performance. When analysing the topological dimension as it is presented in Beckett’s most famous play, this article takes as its primary case-study a staging of Waiting for Godot directed by the Austrian artist and director Alexander Arotin in 2005.
Rimediare lo spazio beckettiano. 'Warten auf Godot' per Alexander Arotin
D'ARIENZO, GRAZIA
2017
Abstract
The aim of this research paper is to examine how digital technology revitalizes the heritage of Samuel Beckett’s dramaturgical works, focusing in particular on the spatio-visual aspects of the performance. When analysing the topological dimension as it is presented in Beckett’s most famous play, this article takes as its primary case-study a staging of Waiting for Godot directed by the Austrian artist and director Alexander Arotin in 2005.File in questo prodotto:
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