The aim of this research paper is to examine how digital technology revitalizes the heritage of Samuel Beckett’s dramaturgical works, focusing in particular on the spatio-visual aspects of the performance. When analysing the topological dimension as it is presented in Beckett’s most famous play, this article takes as its primary case-study a staging of Waiting for Godot directed by the Austrian artist and director Alexander Arotin in 2005.

Rimediare lo spazio beckettiano. 'Warten auf Godot' per Alexander Arotin

D'ARIENZO, GRAZIA
2017-01-01

Abstract

The aim of this research paper is to examine how digital technology revitalizes the heritage of Samuel Beckett’s dramaturgical works, focusing in particular on the spatio-visual aspects of the performance. When analysing the topological dimension as it is presented in Beckett’s most famous play, this article takes as its primary case-study a staging of Waiting for Godot directed by the Austrian artist and director Alexander Arotin in 2005.
2017
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11386/4712322
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