The aim of this research paper is to examine how digital technology revitalizes the heritage of Samuel Beckett’s dramaturgical works, focusing in particular on the spatio-visual aspects of the performance. When analysing the topological dimension as it is presented in Beckett’s most famous play, this article takes as its primary case-study a staging of Waiting for Godot directed by the Austrian artist and director Alexander Arotin in 2005.
Rimediare lo spazio beckettiano. 'Warten auf Godot' per Alexander Arotin
D'ARIENZO, GRAZIA
2017-01-01
Abstract
The aim of this research paper is to examine how digital technology revitalizes the heritage of Samuel Beckett’s dramaturgical works, focusing in particular on the spatio-visual aspects of the performance. When analysing the topological dimension as it is presented in Beckett’s most famous play, this article takes as its primary case-study a staging of Waiting for Godot directed by the Austrian artist and director Alexander Arotin in 2005.File in questo prodotto:
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