Based on the analyses of N. Elias concerning the “social learning” of selfawareness as well as on studies by M. Perrot on the role of housing in the valorization of private life, this article interprets Le Cousin Pons as a reflection on the relationship between the interiority of the individual and the surrounding social world. Status as a single person and the hero’s status as artist is related to the topic of home violation and the importance of threshold figures.

« Le Cousin Pons » ou l’intériorité d’un artiste célibataire

Agnese Silvestri
2019-01-01

Abstract

Based on the analyses of N. Elias concerning the “social learning” of selfawareness as well as on studies by M. Perrot on the role of housing in the valorization of private life, this article interprets Le Cousin Pons as a reflection on the relationship between the interiority of the individual and the surrounding social world. Status as a single person and the hero’s status as artist is related to the topic of home violation and the importance of threshold figures.
Fondé sur les analyses de N. Elias concernant l’“apprentissage social” de la conscience de soi, ainsi que sur les études de M. Perrot relatives au rôle de l’habitation dans la valorisation de la vie privée, cet article interprète Le Cousin Pons comme une réflexion sur la relation entre l’intériorité de l’individu et le monde social environnant. Le statut de célibataire et celui d’artiste du héros sont rapportés au thème de la violation du domicile et à l’importance des figures du seuil.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11386/4727409
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